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Maurice – The Merchant Ivory Collection Streaming. Movie Title: Maurice – The Merchant Ivory Collection Average customer review: Maurice – The Merchant Ivory Collection is available for streaming or downloading. Click Here to Stream or Download Maurice – The Merchant Ivory Collection

The filmmakers did an extraordinary job of bringing E.M. Forster’s touching fresh to life — and I suspect that was no easy task because so remarkable of the unique involves the main character’s innermost thoughts and feelings. However, Merchant and Ivory did a attractive job conveying the loneliness, scare and desperation of the main character, Maurice Hall.

The movie follows Maurice (James Wilby) down his road of self-discovery; from his embarrassing teen years to Cambridge (where he gets his first exhilarating taste of care for) to his post-collegiate years as a young man struggling to near to terms with his sexuality in a time when homosexuals were mercilessly persecuted.

The movie is also very remarkable about class struggle. Maurice is a gentleman born and bred, with a penchant for snobbery. As he comes to terms with his sexuality, he is forced to deal with differences in class when he realizes he is in fancy with someone from the serving class.

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Readers of the recent will be elated as powerful of the astonishing dialogue from the book appears in the film.

The characters were perfectly cast, with Hugh Grant (before he was a mega star) as Clive Durham, the perfect young gentleman from Cambridge (and Maurice’s first fancy), Rupert Graves as the smoldering, lower class hunk who wins Maurice’s heart, and Ben Kingsley in a hilarious turn as Maurice’s junk-psychologist. James Wilby was spot-on in the title role and he perfectly captures the isolation, sadness and ultimate joy of the conflicted Maurice.

“Maurice” is a touching admire anecdote that anyone — straight or blissful — can relish. Romance knows neither of these terms. And, the movie *is* unabashedly romantic and optimistic — your heart will wing when Maurice finally gives in, casts societal conventions aside and visits his beloved at the boathouse. The hopeful ending is inviting, though the close-up of Clive at the window at the extinguish of the movie will rupture your heart.

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Beautifully filmed, superbly acted — a must-see film.

Maurice is my all time current film. I fill a copy on VHS and one on Laser Disc, and I’m eagerly awaiting its release on DVD. As (what some may reflect) a senior blissful person, this film speaks directly to me; it reflects wonderfully the frustrations that I felt growing up in the ’50’s. Although the movie is plot in the Victorian era, the 1950’s were really not that different in its attitude towards overjoyed people. The film captures so very well the longings of Maurice (as a elated man) for worship, affection and some meaning to his life–the things that he felt everyone else was having but were denied to him because of his inner hidden longings.

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The film is gorgeous to concept and the sound tract is gorgeous–typical Merchant and Ivory–but, most of all, each actor is completely believable in his role. A very young Hugh Grant (long before becoming renowned) is very valid as Maurice’s first treasure interest wanting a pure platonic admire with Maurice even though Maurice wanted the “sincere” thing. My lawful feeling about Grant’s character is that he really did not have the guts to deal with the ramifications of his factual feelings (look how he plays with Maurice’s emotions and affections–I would have punched him!) . Jame Wilby, as Maurice, is outstanding; he expresses the damage, torture and longings of “the appreciate that dare not deliver its name” very well. However, the upright standout for me is Rupert Graves (one of my celebrated actors) who plays Scudder–he certainly shows what ladders are made for!(you’ll have to explore the movie to know what I’m talking about) He plays a man that knows what he wants and goes after it no matter what the cost–he redirects his life and alters his life’s dream for the possibility (not, at the time of his decision, guaranteed) of treasure. Maurce and Scudder’s final scene together when they have decided that cherish, no matter what, can conquer all, is truly the thing that we all dream about. Their “togetherness” points out another strong theme in the movie–the British Class System–not only did they have the “joyful thing” to deal with but also the “class thing” to overcome. (Due to the fact that Scudder is from what is deemed a lower class being the Gamekeeper, he is, at first, completely ignored by Maurice until Scudder climbs into Maurice’s bed, by the means of a ladder, and shows him what it’s all about!!)

I read E.M. Forster’s book when it was finally released in the 1970’s and I feel the film is faithful to the book and that Forster would have been joyful with the film. I don’t know how many times I have viewed this movie (many, many, times), it, nevertheless, is a movie that reaffirms, over and over again,, my very existence.

I have found, through out the years that a lot of heterosexuals earn the movie to be boring; however, I feel that if you are an average happy male, (especially of a positive age) you will acquire it reflective of your life (or, at least, a allotment thereof) –I do!

Believe me, my life would have been a huge deal poorer if the film Maurice had not been a share of it.

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I know my review is from an older person’s perspective; however, I do own that a younger person would have an appreciation for the movie if nothing more than gaining some knowledge of what it was like, not so very long ago, to be tickled. In fact, I believe anyone, no matter what his age happens to be, could certainly be pleased this film.
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Streaming The Ghastly Ones / Seeds of Sin Online. Movie Title: The Ghastly Ones / Seeds of Sin Average customer review: The Ghastly Ones / Seeds of Sin is available for streaming or downloading. Click Here to Stream or Download The Ghastly Ones / Seeds of Sin

Welcome support, kids, to this Saturday’s double-feature from the Something Peculiar series. I chose “The Nefarious Ones” and “Seeds of Sin” entirely at random only figuring it was another combination of a cheap dread film and a sexploitation flick from the aged days only to peek that both films are the work of director Andy Milligan (1924-1991) . Early today I would have said that all I knew about Milligan as a cult auteur was that he was out there in the realm of underground films somewhere between Ed Wood and Russ Meyer pointed in the direction of Roger Corman. I had also heard of Michael Weldon’s choice riposte from “The Psychotronic Encyclopedia of Film” where he declared, “If you’re an Andy Milligan fan, there’s no hope for you.” These two films provide all the evidence you would ever need to conform Weldon’s hypothesis.

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Milligan made 29 movies between 1965 and 1968, consisting mainly of gory dread films dressed up as period pieces, such as “Bloodthirsty Butchers” and “The Rats Are Coming! The Werewolves Are Here!”, and sex melodramas with rampant nudity, including “Gutter Trash” and “Fleshpot on 42nd Street” as allotment of NYC’s “grindhouse” cinema (most of the theaters were on 42nd Street) . Milligan shot most of his films with a hand held 16mm movie camera on extremely cheap budgets. What usually happened then was the films were blown up to 35mm size and shown in and around Current York “art” theaters. Today there are only three of Milligan’s films available on DVD and here are two of them (the third is “The Body Beneath”) . Something Unique has apparently included every trailer they could secure for a Milligan opus (even if they do not have sound) .

“The Wicked Ones” (a.k.a. “Blood Rites”), Milligan’s first fright film, is a 1968 film shot in “cranium-cleaving color” at his Victorian mansion on Staten Island. After a prologue in which a couple with a really tall umbrella are hacked up by some guy, this movie has three daughters and their husbands at a reading of their tedious father’s will. It is his wish that the couples consume three days in the family mansion “in sexual harmony,” and then they will acquire out who gets what from the extinct man. But once there the handyman is eating live rabbits, the couples open fighting, and then people inaugurate dying and showing up as the main course at dinner.

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It takes a long time to gather to anything remotely finish to the required sexual harmony and even longer for characters to begin dropping, but once they do, they inaugurate dropping like flies. But by then you might be asleep. It has been a long time since I have seen a awe film where nothing happens for such a long time. But if you are loose for a high reveal of cheese with your blood and gore, you will not be disappointed. This film comes with a involving discussion between actor Hal Borske, who plays Colin the guy who eats the rabbit, and Frank Henenlotter, the director of “Basket Case.” In addition to insights into Milligan’s work both sharp and irreverent, they discuss Da Vinci writing backwards and other unexpected choice topics. The first two-thirds of the film is a two, the last third a four, and the commentary a five. Do your possess math.

“Seeds of Sin” (originally released as “Seeds”) was also shot in 1968, at the same spot, and offers a similar position wherein a family reunion ends up with everybody lifeless (the extinguish) . Claris Manning (Maggie Rogers) is a dismal venerable invalid whose daughter Carol (Candy Hammond) decides to invite the rest of her siblings home for the holiday. But since there is an inheritance to be had when the veteran lady dies, the list of possible benefactors needs to be trimmed. Because this film is shot in dusky & white there is not as remarkable gore, and I should also point out that the film ponders the inquire, if you are contemplating suicide and a door opens driving a attractive instrument into your heart, were you murdered? Discuss amongst yourselves.

Like “The Sinful Ones,” this film opens with a scene that has nothing to do with the rest of the film tantalizing an orgy. The incompatibility is that this prologue was clearly shot by someone other than Milligan with different actors. In other words, this is the “producer’s slash” of “Seeds of Sin,” because the producers decided to remove sex scenes and insert them in between (and sometimes during) the scenes Milligan shot. It is really easy to mumble the inserted stuff, because the music suddenly becomes most drums and some guitar. This is X-rated material (not XXX-rated material) and watching this film takes me attend to watching leisurely night awe shows, except that instead of commercials suddenly popping up at the dismal times we have Sixties style porn. It also has me wondering when was the last time I saw such serious tan lines in a movie.

Fortunately the people at Something Exclusive uncovered the first and third reels of the current 16mm footage Milligan shot. Some of it does not have sound, but the 40 minutes of that are twice as wonderful as the finished movie, which is twice as long. But in its edited create “Seeds of Sin” is a suitable cinematic car break, by which I mean you cannot engage your eyes off of it as Milligan’s chronicle find interrupted for the sex scenes. From the current footage and the unfinished trailer included on the DVD, you can accept some understanding as to what was carve to accomplish room for the sex scenes (apparently they did some cutting before the insertions) . There might not be a Doctoral dissertation in reconstructing the modern “Seeds of Sin,” but you could probably secure a decent Master’s thesis out of it. Both versions of the film merit four stars for decidedly different reasons.

All of the extras are found in “Andy’s Closet,” which includes the above mentioned footage, the extant trailers of the Andy Milligan oeuvre, and as is to case to date with these double-feature CDs from Something Queer regain five stars (or higher for the unrepentant fans of Milligan) . Be aware that the copies of both films have some well-known problems, with “The Contemptible Ones” being all scratched up and the novel parts of “Seeds of Sin” having major sound problems (subtitles would have been nice) . So, that would be three stars for the first feature, four stars for the second, plus five for the extras, which adds up to twelve, divided by two is six, which is one more than five, so we round down because this DVD is a celebration of a correct giant of sexploitation and scare. Be distinct to join us next Saturday night, when we have “Bloodlust” and “Atom Age Vampire” on the midnight menu.

Andy Milligan produced films on a budget that Ed Wood Jr. would have struggled with. The Unsuitable Ones is no exception. The exclusive characters and even weirder wardrobe (when was this film supposed to be site? ) do fill the attention though. It’s tantalizing to gape Richard Romanus in a piece years before he hit it great with Martin Scorsese in Mean Streets.
The murders are all executed in a fashion that Herschell Gordon Lewis would’ve been proud of and you can’t succor but smile at the whole magnificent ineptitude of it all.
The transfer is provocative but there’s quite a lot of print injure.
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Streaming Razor Blade Smile Online. Movie Title: Razor Blade Smile Average customer review: Razor Blade Smile is available for streaming or downloading. Click Here to Stream or Download Razor Blade Smile

Forget the detractors on this B-flick. This is a Well made fun movie. Also lead Actress Eileen Daly is absolutely luscious as Lilith Silver. She can drain me anytime. The campy fun during this film can be found throughout. Lilith unprejudiced loves the blood, and from what I read Eileen drank it like water during the shoot. A word of advice for parents, this is a very violent and sexual film, especially the unrated version. For those of you who are looking for another Blade, or Interview with the Vampire, don’t bother, cause this is a B-movie in the lawful sense of the word. No gargantuan budget, in fact the 20,000 pound budget, Appx 35,000 US was far less than the touted Blair Witch Project. Best tip: Gain a bunch of friends together in a living room, aquire a lot of salty popcorn, turn down the lights and eye. To reflect that the budget of this was less than the one day catering bill for Huge!

About a week ago I was sitting in the Washington, DC bar Asylum in the checkered Adams Morgan neighborhood. Sitting there with a glass of water, watching my friends secure drunk, I noticed an novel movie playing on one of the televisions. The sound wasn’t on, but the imagery presented, backed with the bar’s heavy metal and gothic music pounding in the background captivated me.

The movie was Razor Blade Smile (1998), independent fare from England. OK, it looked awful, but I had to eye this thing in chunky. The DVD arrived today.

Having unprejudiced watched the closing credits (and a itsy-bitsy surprise when they’re done) I realize this is a mish mosh of foul acting, abominable editing, substandard effects and abundant slickness that comes together and works mighty better than it should.

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The yarn is of a 150 year former vampire “Lilith Silver” who is bored to tears and fills her time by knocking off people for money. Yes, she is a hit-vamp. Her fresh boy-toy employer has her knocking off people who wear rings with eyeballs in them. When she finally gets spicy and asks a contact of hers about them, she learns they belong to a group called The Illuminati, a mysterious cabal that has inundated itself into the world’s power structures.

It turns out that Sethane Blake, the veteran vamp who turned our murderous vixen into a blood sucking (and other sucking) fiend heads this group and has also contracted out Lilith’s boss to rub out the lower members of his frat house. If this sounds at all racy, peruse it. It’s quite absorbing if you don’t steal it too seriously.

The stars are basically no one. Eileen Daly (Lillith) did a few minor roles and is known as the “Redemption Girl”. Christopher Adamson (Sethane) is trying to be the next Christopher Lee. He doesn’t have suave trustworthy looks, incredibly sexy jabber, and his skin is poor. David Warbeck (The Dismay Movie Man) appears to have had something of a career, but died before the film was released. He doesn’t have to pains about appearing in a sequel.

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There are lots of effects. None of them are memorable. Someone on some said it looked as if director Jake West got his hands on some video editing software and went nuts. There’s dim and white, kooky color with lots of blue and red contrasting, grainy picutre, abominable focus, dead motion, like a flash motion, jerky snappily motion, lots of fire, blood, a few stakes, computers, guns, rubber, mylar, sunglasses, a lesbian scene in catsuits (OK, that’s not an carry out, but it was delicate damn hot and coming from me, that’s saying something), a few decapitations and a guy blowing his brains out.

And in the ruin, all is not what it seems. In fact nothing is as it seems. It’s like a abominable car break. You honest can’t scrutinize away. Oh, and don’t leave before the credits raze.
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Streaming Rome: The Complete First Season Online. Movie Title: Rome: The Complete First Season Average customer review: Rome: The Complete First Season is available for streaming or downloading. Click Here to Stream or Download Rome: The Complete First Season

Rome, HBO’s ambitious, and expensive, series revolving around the events leading up to the assassination of Julius Caesar (Ciaran Hinds), is a survey to see. Created and filmed by a plethora of talented individuals (including legendary film maverick John Milius), Rome is brought to life with a extraordinary residence execute that must be seen to be believed; it’s as if the city is breathing. The record follows two of Caesar’s soldiers (Ray Stevenson and Trainspotting’s Kevin McKidd) who catch themselves throughout many events in Roman history, beginning with inadvertantly rescuing Octavian (Max Pirkis), being lost at sea, assisting Cleopatra (in more than one plot, this episode will leave you laughing) and Caesar’s struggle with Pompey Magnus (Kenneth Cranham) . Despite some historical inaccuracies, Rome is everything you’d arrive to examine from an HBO series: rich characterizations, an though-provoking record, and a superbly assembled, tremendous cast (including James Purefoy as Marc Antony, Kerry Condon, and Polly Walker as the scheming Atia), Rome is compulsively addictive viewing, made even more so by the climax and of the season finale, which will have you begging for more.

Many people here have talked about the quality of this series, which opinions I agree with. The demonstrate is sumptuous not only in its depiction of righteous Rome, but also that of popular Rome, the people whose lives and work made the Republic possible. The characters are well-drawn and excellently acted, and the production is edifying, especially considering it as a TV production, which usually advance off as less polished to me.

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The theme I would like to talk about is the depiction of religion in Roman life. It is rare to witness a pagan culture portrayed as well as this one is, and in as detailed a manner. Not that the religious aspects of the culture are harped on; they’re not. But the gods are ever-present in unprejudiced the design that gods are in any culture that is centered on its religious beliefs and practices. There are paintings, murals, mosaics and figures; shrines and priests and rituals; blessings exchanged between spouses and curses thrown between enemies; all of them with the ring of historical authenticity.

And it’s not objective the fact of their presence that impressed me, but also the attitude shown towards this fraction of Roman life by the filmmakers, one of complete, factually based acceptance. Unlike so many films, these people are not in the slightest diagram looked down on or demonized for believing as they do. There is no tinge of “awful deluded fools” or “godless heathens” here. On the contrary, everything about their religious life is taken objective as seriously as one could hope for. (Or at least, as seriously as the characters themselves capture it, which of course varies depending on whom one is watching, honest as it would if the film were about unusual people in a new world.)

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This theme becomes apparent from the very first moments, during the magnificently clever credit sequence. The gods and beliefs of Rome are literally brought to life in shots of the streets, walls, pillars, and passageways of the city, where the ever-present chalk and paint grafitti (yes, the name really IS that stale) initiate to dance to the haunting, sensual Mediterranean musical theme. (I certainly hope to gape a soundtrack album soon!) It’s an fascinating, slightly unnerving short film in and of itself, a minute meditation on how the stories we absorb in are constantly around, slow, above and beneath us, keen and supporting our daily lives. The snake painting slithering on the walls, the chalk lion roaring in the shadows, the fast sketched Birth of Athena with its attendant bloody demonstrate, the snappily slashed outline of Priapus (Romans were very centered on the primacy of the phallus, a fact which is not ignored in this expose), Medusa’s serpent hair writhing and hissing from a mosaic – all of these charming and disquieting images flash past us and do a world fleshy of depth and mystery. And that’s fair the first manifestation of this theme in the series.

There are serious, weighty scenes of solemn ritual, private moments of prayer from individuals to their personal gods, the occasional philosophical exchange about the whims and possible intentions of the gods, and other such touches to the scripts, which seat the people and the culture squarely within the framework of a religious worldview, and that’s something that I rarely catch in films about bygone eras. Usually, if a culture isn’t Christian, its religious realities are either ignored, glossed over, trivialized, or exaggerated in some grotesque, ignorant procedure to prop up the prejudices of our contain day, that wish to gain our dominant religions are the only possible ones for “civilized” people. It’s exceedingly rare to view this one handled in such a matter-of-fact design.

As an instance, I was especially gay by the moment when Vorenus is bidding his wife goodbye before marching off to battle. They embrace, and Niobe murmurs, “Bellona protect you.” To which Vorenus answers, “And Juno hold you.” Bellona was the Roman goddess of war and bloodshed, and Juno was the matron goddess of wives and marriage. To hear those two names stale in such a natural and tender scene, and worn CORRECTLY, was quite touching and very satisfying. (The only other time I can remember a scene of pagan religion so well handled was in another film about Rome – Ridley Scott’s “Gladiator”, where the small scene of Russell Crowe’s character praying in private to his household gods was played so naturally and so reverently that it literally brought tears to my eyes.) There are several moments like this microscopic exchange between husband and wife, and other ways in which we learn how famous religion was to Rome and its people, such as Caesar’s sponsoring of Octavian to the College of Pontiffs.

Now, I don’t want to give the impression that this is a major portion of the expose. The whole point to its effectiveness is that the religious themes are in the background, only sometimes at a level where they actually influence events. But in another scheme, they’re influencing events constantly. Objective like today, religion was woven throughout both politics and daily life in Rome, and this series helps us understand how and why. And again, the filmmaker’s non-judgmental attitudes about the presence of such things really helps to give the film credibility in its portrayal of Roman life as a living, breathing reality, rather than some white marble stereotype, both sterile and ancient. And for that they are to be commended, which I do most heartily.

Oh, and in reponse to the criticism below of the portrayal of Cleopatra and her court: the portrayal here is, in fact, quite true. Lots of people compose the mistake of equating Cleopatra with Nefertiti, but the Ptolemies were not native Egyptians. They were of Greek stock, and took over the throne of Egypt rather than inheriting it. Cleopatra did NOT live in Pharaonic times; her family reigned centuries after the last of the Pharoahs had died. Historical accounts of the period recount her as a pale-skinned, red-haired woman with freckles, and there are images of her extant from the period, in which we can glimpse she was no relation at all to the dim, long-necked beauties of the Pharoahs’ courts. It’s suitable that the Ptolemies did try to revive the conventional Pharaonic styles, mostly in order to design the people bag them better (and, to be clear, partly because it was all very chilly and made them feel remarkable and godlike), but it was an attempt to bring serve a time and culture that was gone, rather than a hereditary continuation of it.
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Stream NFL Films – The Dallas Cowboys – The Complete History Online. Movie Title: NFL Films – The Dallas Cowboys – The Complete History Average customer review: NFL Films – The Dallas Cowboys – The Complete History is available for streaming or downloading. Click Here to Stream or Download NFL Films – The Dallas Cowboys – The Complete History

This 2-disc dwelling is the “typical” outstanding product we’ve approach to quiz from NFL Films. The first disc contains a 72-minute history of the Dallas Cowboys from their first season of 1960 through the 2002 season. A lot is packed into these 72-minutes, but of course for diehard Cowboy fans, it smooth leaves us wishing for more. The history is presented primarily chronologically, but there are some topics- the Redskin/Cowboy rivalry or the Cowboy image- where this strict chronology is broken.

The second DVD contains a 70-minute program of the Cowboy-49er NFC Championship game played on the January 17, 1993. That would be my purchase for best Cowboy game of the 1990’s. The game is presented chronologically and although it doesn’t include every single play, it is extensive. A quality production.

The bonus features are primarily player profiles and some game highlights, including the Cowboys’ inspiring Monday Night game against the Fresh York Giants in 2003.

The Dallas Cowboys have a history as rich as any in the NFL. From beginning to destroy, names like Bob Hayes, Randy White, Tony Dorsett, Herschel Walker, Troy Aikman, and Emmitt Smith contain up this DVD with spectacular highlights. With the Mountainous Tuna sparking a renewed interest in the Dallas Cowboys, longtime and novel fans will inspect why the Dallas Cowboys are known as “America’s Team.” Disc 1 contains a compacted year-by-year analysis with special spotlights on individual stars such as Ed Jones and Thomas Henderson. Disc 2 contains the 1992/93 NFC Championship game play-by-play, a dependable treat for those that missed the unique broadcast. This DVD has it all. Highly recommended for Cowboys fans.
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Stream Cat City Online. Movie Title: Cat City Average customer review: Cat City is available for streaming or downloading. Click Here to Stream or Download Cat City

I saw the current version in Hungarian when I was a teenager and loved the movie very mighty. THe review above says it’s a unpleasant james bond movie from the 70’s and 80’s. Well, don’t forget that the cartoon was made in the 80’s. If all the fun is lost in the English version, maybe the English script writers should be blamed. I am looking forward to seeing it again.

Cat City is the greatest achievement of Hungarian animators. It has an action-packed storyline with plenty of humour. This cartoon, Cat City is now a cult classic and an often quoted one. That’s not without a reason. The dialogues are brilliantly written and are hilarious, and the characters are likeable.

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The recent title (Macskafogo) means literally Cat-catcher. According to the account, the cats are planning the extermination of all mice from the planet. However, the mice have a superhero to turn to, a James Bond-like mouse with sizable physical strength, teeth hard like diamonds, a god sense of humor, and the cleverness of an Einstein.

He is sent to a Japanese-seeming city called Pokio, to pick up the plans of a unique weapon from a mouse scientist. While he is working undercover the mice need another person to diagram attention away from him, and this other mouse is also sent to Japan. He is a bit over-weight, but he is a very warm-hearted mouse, who devotes all his time to playing his trumpet. (Unfortunately, though, after a planecrash, he finds himself in the jungle, where he is kidnapped by vampire bats, who also turn out to be music lovers.)

In the meantime, a group of assassin rats are hired to get the mouse agent and ruin him.

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The cartoon makes expend of many clichés of Hollywood movies, making the reader laugh again and again.
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Streaming Superman II Online. Movie Title: Superman II Average customer review: Superman II is available for streaming or downloading. Click Here to Stream or Download Superman II

Widely regarded as one of the best superhero sequels ever, director Richard Lester’s ‘Superman II’ had the daunting task of living up to the legacy of the unique film, despite having major restrictions placed on it. For instance, Marlon Brando and Gene Hackman were not available for additional scenes, thus grand of the film had to be re-cut and Brando had to be removed entirely for just reasons. Lester had to incorporate footage shot by recent director Richard Donner with newly shot scenes, while keeping the tone of the sequel consistent. The extinguish result is a sequel that’s almost every bit as generous as the film that spawned it. Christopher Reeve even said that this was his common of the Superman movies.

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In novel years, the revelation of all the behind-the-scenes drama of Donner’s dismissal from the franchise has unfairly placed Lester’s version in a negative light. Some fans even went as far as to spot that the current Superman II-The Richard Donner Gash was the definitive sequel before even having seen it! While which ‘Superman II’ is noble remains subjective, the simple fact is that the Donner Crop is a end approximation of his modern vision rather than a fully realized film, since he had only shot around 70% of the footage. The rest was spliced together from hide tests, modern shots using body and stammer doubles, and footage from Lester’s version. This is not unlike what Richard Lester had to do to do his sequel. Thus, both films can and must co-exist since there are shared footage and scenes original to each version that simply work better. For instance, terrorists hijacking the Eiffel Tower is simply more of a job for Superman than Lois jumping out a window. Consequently, Donner’s Brando footage better illustrates the father/son motif established in the first film than Lester’s re-shoots with Superman’s mother.

As for the extras in this re-release, WB has compiled an impressive array of rarely seen material. There is a commentary by the producers, a 1981 ‘making of’ special hosted by Chris Reeve, 8 Fleischer Studios Superman cartoons plus a retrospective, deleted scenes, and perhaps the most eclectic…the ‘Superman 50th Anniversary’ TV Special. Produced in 1988 by the ‘Saturday Night Live’ crew, this special was widely panned originally but had since become a hot commodity on the bootlegging scene. With appearances by classic Superman and SNL alumni, this special can be better appreciated now in hindsight for its quirky blend of comedy and nostalgia.

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In closing, despite its shortcomings, ‘Superman II’ spot forth a benchmark in the superhero film genre by showing how a sequel can recall off the “kid gloves” and arrive out swinging once the exposition is firmly established in the fresh. Knowledge of the off-set controversy should only enhance our appreciation of the final film the cast and crew save together because it really is a classic sequel.

I was disappointed when I bought this version, when I recorded the Superman 2 version on ABC map help in the slack 80’s. VHS tapes don’t last, so I wanted the UNCUT version of Superman 2 on DVD. I wasted my money.

Vital scenes are nick from the DVD:

1) Superman saves the boy at Niagra Falls. He goes serve to the hot dog stand and meet up with Lois, changes wait on to Clark Kent and walks away from the hot dog stand with a proud and humourous smile on his face (vivid that he saved the boy) .

2) Flying to Paris…..and it shows him passing the Concorde in the sky.

3) A prison scene with Lex and Otis, about Otis going “pssh”, which Otis mentions he had wished before they left the cell, even though it means something else. Silly scene.

4) Miss Teschmacher needed to go to the bathroom at the Fortress of Solitude, where she says she thinks she found it. And Lex says, “she found it.”

5) And finally, the ending where Superman defeats the 3 supervillains, Lex shows more interest in befriending Superman (which he doesn’t), the cops demonstrate up at the Fortress to arrest Lex, and Superman destroys the Fortress Of Solitude.

There’s more from the ABC version, but too difficult to account for.

Just to say, the Lester sever wasn’t worth the tag! I don’t know about the Donner version, but the DVD creators destroyed this movie….and who knew a TV version would be so grand better!
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Stream The Andy Griffith Show – The Complete Fifth Season Online. Movie Title: The Andy Griffith Show – The Complete Fifth Season Average customer review: The Andy Griffith Show – The Complete Fifth Season is available for streaming or downloading. Click Here to Stream or Download The Andy Griffith Show – The Complete Fifth Season

Season five of The Andy Griffith Expose goes to both extremes for me. On the one hand, it includes two of my least well-liked episodes (“Aunt Bee’s Romance” and “Family Visit”) ; but, on the other hand, it has my all-time celebrated TAGS episode “The Case of the Punch in the Nose” and one of my top ten “Man in the Middle.” Season 5 was the final sunless & white episode and last season with Barney Fife as a regular character. Many fans probably finish watching TAGS after this season which is heart-broken because the color seasons are very underrated. Luckily, Season Six is going to be released on DVD May 9, so definitely check it out! Now, on to season five:

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“Opie Loves Helen”: Every season opened with an episode featuring Opie. In this one, Opie develops a crush on Miss Crump.

“Barney’s Physical”: It’s Barney’s fifth anniversary on Andy’s force and it may be his last year as he is an plod and a few pounds away from passing the current physical requirements for lawmen. Trivia: When producer Aaron Ruben left the reveal this season, he was given a plaque with a 5 on it objective like the folks had engraved on Barney’s sight.

“Family Visit”: Barney doesn’t appear in this episode. Unfortunately, Aunt Bee’s sister, brother-in-law, and nephews do, and they are annoying as all git-out.

“The Education of Ernest T Bass”: Ernest T. Bass wants to effect his sweet Romeena by getting an education so he ends up in Helen Crump’s class and begins to regard her as a mother figure.

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“Aunt Bee’s Romance”: An broken-down boyfriend of Aunt Bee’s come and he is even more annoying than her relatives in “Family Visit.” He’s a person who is always cracking poor jokes and is never serious. Fortunately, Andy recognizes his poor intentions. This episode includes the famed Calvin Coolidge/Mark Twain/the weather scene between Andy and Floyd.

“Barney’s Bloodhound”: Barney tries to narrate a dog named Blue in tracking down an escaped criminal. Trivia: Howard Morris (Ernest T Bass) is the whisper of the radio announcer and Leonard Blush.

“Man in the Middle”: One of my all-time faves! Barney is about to fracture up with Thelma Lou, Andy tries to back Barney by agreeing with him when he says maybe he and Thelma Lou weren’t meant for each other, Barney blabs this to Thelma Lou when they patch things up, Thelma Lou gets enraged at Andy and then gets angry at Helen when she says she’s acting childish, Barney gets furious at Andy for taking Helen’s side, Andy refers to Helen as a “third party,” Barney blabs this to Helen who gets exasperated at Andy for not referring to her by name (“My name is Helen Crump, C-R-U-M-P”) …Trust me, it’s unbiased humorous!

“Barney’s Uniform”: Bully Fred Plummer tells Barney he’s going to pop him one if he catches him out of uniform, so Barney is shy to be seen in civvies. Luckily, Barney is taking karate lessons in Mt. Pilot with Mr. Izamoto.

“Opie’s Forune”: Opie discovers a wallet with fifty dollars in it. After waiting a week, he believes the money is his. Then Barney reads an announcement in Lost and Found about a missing wallet. I don’t care for this one because Andy automatically thinks the worst of Opie.

“Goodbye, Sheriff Taylor”: Andy considers taking a job in Raleigh and leaves Barney in charge…terrible recede. Trivia: First time Goober wears that goofy beanie.

“The Pageant”: Aunt Bee wants the section of Lady Mayberry in the Centennial Pageant but Clara, like she is in most things, is the good actress. I like that piece when Aunt Bee calls Chief Noogatuck, Nungatook.

“The Darling Baby”: The Darlings return to town with Charlene’s baby daughter Andelina hoping to rep her crooked up to a future mate…Opie.

“Andy and Helen Have Their Day”: Barney wants to give Andy and Helen the gift of Saturday where they can relax at Myer’s Lake and he will urge all their errands. Of course, he keeps interrupting them with trivial matters and then believes they are engaged. Howard Morris appears as the TV repairman.

“Three Wishes for Opie”: Barney buys a fortune-telling kit at an auction and thinks Count Istvan Teleky is granting them wishes. Like in the previous episode, this ultimately results in Barney believing Andy and Helen are engaged.

“Otis Sues the County”: Otis falls at the jail and a slick lawyer tries to compose him maintain that, by suing the county, he will be helping his friends Barney and Andy.

“Barney Fife, Realtor”: Barney gets into a sideline realty business and tries to win everybody to sell their houses and fade into other houses.

“Goober Takes a Car Apart”: Goober is pronounce to be in charge of the courthouse but speedster Gilly keeps hounding him to fix his car. Caught between two responsibilities, Goober takes apart and rebuilds Gilly’s car in the courthouse.

“The Rehabilitation of Otis”: Barney tries to exhaust psychology to abet Otis obtain over his drinking predicament. He ends up spellbinding him out of “tough fancy” and Otis gets so enraged he decides to give his business to another jail. I like the scene where they purchase the Rorschach test and argue over whether the card is a bat or butterfly.

“Lucky Letter”: Barney thinks he’s doomed at the firing range because Andy convinced him not to send a chain letter. Now Barney’s not superstitious, he’s unbiased cautious.

“Goober and the Art of Fancy”: Andy and Barney convince Goober to date Lydia Crosswaith who turns out to be a bore and sticks her head out of the car window like a dog.

“Barney Runs for Sheriff”: When Andy’s job in South America falls through, he runs for sheriff as a write-in. Barney is supposed to rush unbiased a token campaign, but goes overboard.

“If I Had a Quarter Million”: Barney stumbles upon a suitcase with $250,000 and tries to play it off as a newly rich to entice the crook out of hiding.

“TV or Not TV”: Bogus television producers arrive to town pretending to be alive to in creating a series based on the life of the sheriff without a gun. Their main intentions have to do with the Mayberry bank. Gavin McLeod appears.

“Guest in the House”: A ravishing, young, female friend of the family stays with the Taylors and, of course, Helen goes off.

“The Case of the Punch in the Nose”: Best TAGS episode ever! Barney runs across a 19-year faded assault case that was never properly closed and brings relieve all the hard feelings leading to a schism in the town and numerous nose punches. The Bobby Gribble, Emma Larch scene is classic.

“Opie’s Newspaper”: Opie and Howie try to widen their scope by creating a column like “Mayberry After Midnight.”

“Aunt Bee’s Invisible Beau”: Clara gets Aunt Bee thinking she’s getting in the plan of Andy and Helen’s romance so she makes up that she’s dating the butter-and-egg-man. Barney puts a stout crack in her plans when he finds out Aunt Bee’s pretend beau is married.

“The Arrest of the Fun Girls”: Andy and Barney arrest the fun girls and try to veil their presence from Thelma Lou and Helen.

“The Luck of Newton Monroe”: Don Rickles plays a traveling salesman who can’t seem to acquire a demolish, well, place for the things that he breaks himself.

“Opie Flunks Arithmetic”: Opie is having problems in arithmetic and, thanks to know-it-all Barney, Andy overreacts and makes things worse.

“Opie and the Carnival”: Opie hopes to gain his pa an electric razor at ashooting gallery but is cheated by curved carnies.

“Banjo-Playing Deputy”: Jerry Van Dyke is an unemployed carnival musician who happens to be related to a friend of Aunt Bee, so Bee convinces Andy to obtain the klutzy, stammering loser his deputy. Luckily, that didn’t last and we would bag Warren Ferguson (negate) in season 6.

The fifth season of “The Andy Griffith Display” (1964-1965) is yet another admirable and very silly year in the eight-season lifespan of this beloved television comedy series. Season #5 is presented in its complete earn on the five discs that get up this delicate DVD station from Paramount Home Entertainment. And each of these 32 episodes looks gorgeous, too. Advantageous video and audio quality.

All 32 show-closing epilogues are fully intact in this DVD collection (unlike Season 3, which has a buy few missing) . And as far as I can thunder, short of digging up each current script (somehow) and checking all shows word for word, these episodes appear to be “uncut”. I can’t stare any discernible edits, despite a disclaimer at Paramount’s webpage for this release that says: “Some episodes may be edited from their fresh network versions”.

However, that same “edits” disclaimer is not included on the relieve of this Season-Five box (as it was on the S.3 box, which does absorb a few edits) . Perhaps Paramount was unbiased putting a needless ‘fear of God’ into fans for no expedient reason. Beats me. But these shows perceive attractive (and complete) to me.

The average hurry time per episode here is about 25:30, with the shortest running time being approximately 24:35. So, if there are any “cuts” to these episodes, it must not add up to very remarkable total footage, that’s for definite. There are very few eps. in this status that bustle under 25 rotund minutes.

Also on the subject of “edits” — Each of these thirty-two shows does enjoy its fresh laugh track (unlike the Season-Four TAGS area, which has a few laugh tracks missing) . I diligently checked each and every Season-Five program to observe if the laughter is show on the soundtrack….and it is there for all episodes, which is as it should be. I like the shows better with the laughter in the background (canned or otherwise) .

Opening & Closing Credits ….. It appears to me that all of the originally-aired opening and closing titles (credits) are passe for this Season-Five DVD situation. Although it’s clear that the Main Title opening sequence was actually filmed years before this 1964-’65 season, because Opie’s much-younger age in the credits is quite noticeable. A current demonstrate opening wasn’t created between seasons 2 and 5, so the sincere same one that was filmed in 1961 (prior to the initiate of the second season) was conventional for all of those years.

The recent whistling theme music seems to be fully intact here, on both the opening and closing portions of each episode; and the CBS-TV “Scrutinize” (logo) has been left intact on these Andy Griffith prints as well.

Despite the few edits and laugh-track omissions in previous releases, Paramount (in my conception) has done themselves proud with “The Andy Griffith Note” on DVD. I know I shall appreciate these TAGS season sets for many, many years to near.

This fifth “Andy” season (which was the last year of the series to be filmed in black-and-white) is filled with laughable and enduring Mayberry antics, located within such memorable episodes as …. “Barney’s Uniform”, “Family Visit”, “Barney’s Physical”, “Three Wishes For Opie”, “Barney Fife, Realtor”, “The Case Of The Punch In The Nose”, “Goodbye, Sheriff Taylor”, “The Arrest Of The Fun Girls”, “Opie Loves Helen”, and “If I Had A Quarter-Million”.

That “Quarter-Million” episode features one of my common lines of spoken dialogue from the series. After another of Barney’s frequent mishaps with his revolver, Andy asks his deputy: “You want to give me your pants? I’ll consume them to the artistic weavers”.

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Some Barney Banter:

Season Five of “The Andy Griffith Indicate” marks the kill of an era — the “Barney Fife” era, that is. Sadly for “T.A.G.S.” fans, Emmy-winning actor Don Knotts, who played Mayberry’s clumsy but lovable one-bullet-carrying Deputy Fife for the first five years of the series, left the indicate as a regular cast member after this fifth season of the explain, in order to pursue a career in the movies.

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EDIT (FEBRUARY 26, 2006) — The news came fair one day after I submitted this Amazon review that Don Knotts had passed away at the age of 81. It’s quite ironic (and fitting) that this DVD state containing Don’s last season as a regular on “TAGS” would be made available to the public fair days prior to Don’s passing. Fans of Mr. Knotts (and Barney Fife) can now bask in all 159 episodes that produce up the first 5 astounding “Barney Fife years” of “The Andy Griffith Prove”, the TV series that made Don a household name in the early 1960s.

Actor Andy Griffith, Knotts’ partner in fighting crime in Mayberry from 1960 to 1965, had been a very friendly friend of Don’s for many decades. Griffith, age 79, visited Don in the hospital shortly before his death.

“Don was a petite man, but everything else about him was large: his mind, his expressions,” Griffith told The Associated Press on Saturday (02/25/2006) .

“Don was special. I loved him very considerable,” Griffith added. “We had a long and fantastic life together.”

Don Knotts was born in Morgantown, West Virginia, on July 21, 1924. During an acting career that spanned more than half-a-century, he appeared in many TV series and more than 25 motion pictures.

One of Don’s very first TV roles was when he played “Wilbur Peterson” from 1953 to 1955 on the daytime soap opera “Search For Tomorrow”.

Some of Don’s funniest television work (other than as “B. Fife” of course) came during his frequent appearances on “The Steve Allen Exhibit” in the slow 1950s, when he would appear in comedy sketches as “The Nervous Man”. Don was hilarious in those skits, which were unbiased tailor-made to suit his shocked, fidgety acting style.

Don Knotts’ death on February 24, 2006, in Los Angeles, was due to pulmonary and respiratory complications. He will forever be missed; but, thankfully, he left gradual his Barney Fife legacy on film, and Paramount Home Entertainment has done a bang-up job at preserving all of the Barney episodes of “TAGS” in crystal-clear clarity on DVD-Video.

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Barney Fife returned to Mayberry as a guest star in several post-Season 5 Andy Griffith episodes (which all did very well in the ratings for CBS) ; but that fair left Barney-admirers wanting to contemplate more of the wiry lawman during those last three seasons. For me, the expose unprejudiced wasn’t the same after apt ol’ “Barn” left for greener (movie) pastures. And I know a lot of other TAGS fans agree with that assessment as well.

Don Knotts won five Emmy Awards for his portrayal of Mayberry’s mostly-inept (but always laughable) town deputy. It’s considerable he survived all those seasons on the Griffith Present, isn’t it (what with that super-itchy trigger finger of his)? ~wink~

Over the course of those five elephantine seasons he appeared on “TAGS”, Don Knotts practically BECAME “Bernard Fife”, playing the share so perfectly in every episode it’s no wonder he was singled out for excellence with those multiple Emmy trophies. “Barney Fife” is truly one of television’s seminal characters in the history of that medium. And, well, somehow, replacing a Barney Fife with a Deputy Warren Ferguson is kind of like replacing Charlton Heston with Pee Wee Herman in “Ben-Hur”. ~grin~

In the episode “Barney’s Uniform”, Don has to reveal a whole range of Barney Fife’s emotions — from humor, to inflame, to embarrassment, to cowardliness, to tenderness, and finally courage, as he eventually stands up to his nemesis (“Fred Plummer”) in that episode.

Plummer was played by Allan Melvin, who was cast in numerous different parts on TAGS over the years, including a character in the third-year episode “Lawman Barney” who was very similar to Fred Plummer. The “Lawman” ep. was yet another time when Barney was forced to summon his inner courage to ward off a troublemaker. And, as always, Don Knotts’ performance as Deputy Fife in that “Lawman” installment is improbable to notice…as he believably goes from “ragged sister” to “sincere police officer performing his duty well” in unbiased 25 minutes’ time.

At the ruin of “Barney’s Uniform”, yet another facet of Barney’s character emerges — his good-sized ego — when he says this to Andy after having objective engaged in a victorious confrontation with Mr. Plummer…..

“I told him the same thing I told you — I’m a symbol of the law whether I’m wearin’ a uniform or the ol’ salt-and-pepper. He gives me complete respect or else. He got the message. You know, the bigger they are, the bigger they crumble.”

Now, in the hands of a lesser talent than that of Jesse Donald Knotts, those words I unbiased quoted above probably wouldn’t seem humorous at all….they’d unprejudiced seem testy and arrogant. But coming from Don/Barney, it’s a different sage. Don had a truly fresh diagram of being able to perfectly blend the seemingly-unblendable combination of “a stout ego” and “likability”. And not many actors could have pulled that off for five consecutive years. But it seemed second nature to Mr. Knotts.

For, no matter how stuck on himself Barney Fife was, Don Knotts always allowed room for that adjective — “likable” — to score its scheme into that character he was portraying every week on CBS-TV. And I’ve yet to meet the person who didn’t like Bernard Fife quite a bit. A truly distinguished character in the long history of television.

Thanks, Don, for shining how to consider and act like Barney Fife.

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The Season-Five DVD packaging is consistent with the earlier “TAGS” seasons produced by Paramount, which I like very distinguished …. although the cut-and-paste photos on this box hide aren’t my favorites. (Andy wearing a necktie?! Egads, that’s objective silly-looking! Andy hardly ever wore a tie. But that, of course, is objective a very minor packaging quibble however. But, IMO, the Season-One and Season-Four DVD artwork are the best ones that Paramount has done for this TV series.)

I very noteworthy like the innards of the fifth-season packaging however, consisting of three slim plastic cases for the five discs (with unusual artwork on each of the three cases) . Episode titles are located on the befriend of each slim case, printed on a simulated “Parking Citation” pad, complete with Barney Fife’s signature and a microscopic Mayberry Sheriff’s Office motto printed at the bottom of each impress that Barney hands out to the desperate law-breakers of Mayberry — “Let that be a lesson to you” has been printed on each “price”. LOL.

The represent that’s found on the case for Disc #5 is the best packaging photo in this collection, in my belief. It’s a very nice-looking shot of Andy, Helen, Aunt Bee, Barney, and Thelma Lou. That artwork should have been frail on the outer box conceal, IMO. It would have looked mighty better there than the composite photo that was chosen for the slipcase screen. Too dreadful they can’t be switched around.

The discs themselves each enjoy novel (albeit somewhat uncommon) color pictures of an assortment of “down home” items, including two things that remind us immediately of Floyd’s Barber Shop.

All episode titles are also printed on the wait on of the outer box too (with corresponding disc numbers), which is a very handy “at-a-glance” feature. Each disc contains either six or seven episodes.

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A Few More Stats Concerning This 5-Disc Boxed Set:

Video — 1.33:1 Full-Frame (as originally aired) .

Audio — Dolby Digital 2.0 Mono (English only) .

“Play All” Option? — Yes.

Special Features — None.

Menus — Non-animated design; No music; Main Menu is also the Episode-Selection Menu; No Episode Sub-Menus are included. (Disc 1 has a Menu choice for “Previews”, which include a few Paramount ads for other DVDs. An option to discover the Previews or go straight to the Main Menu appears when Disc 1 is initially loaded up.)

Chaptering Available? — Yes. Five chapter stops per note, including a rupture correct after the opening titles.

Paper Enclosures — None.

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So, Mayberry fans, load up your one bullet (or load up any of these finely-produced Digital Discs into the DVD Player, steal your remove), and savor the last of the Barney Fife treasures in “The Andy Griffith Show: The Complete Fifth Season”.

Goodbye, Barney. We’ll miss you dearly.

~~Socks Barney in arm with balled-up fist~~
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Streaming Separate Tables Online. Movie Title: Separate Tables Average customer review: Separate Tables is available for streaming or downloading. Click Here to Stream or Download Separate Tables

When Separate Tables was released, the agents of Deborah Kerr and Rita Hayworth fought for top billing in the opening credits. It’s easy to understand after viewing this great film. Separate Tables is a huge scrutinize in human nature and relationships among people who are far from faultless.

Burt Lancaster displays both intense arouse and hopeless longing as his ancient wife Rita Hayworth comes attend into his life. David Niven (who won an Oscar for this role) is wonderful as the military man with a past. Peep Niven as he is confronted with the truth about himself and how he interacts with his friends and those who once were his friends. The strength of the film is in its casting. In the hands of lesser actors, the film would turn into a very sappy melodrama. I am anxious to opinion the film again impartial to salvage all the subtle facial expressions that these improbable actors spend to invent their characters even more believable. A stout ensemble, a broad film.

Produced in 1958 by Harold Hecht and directed by Delbert Mann, Separate Tables takes area at the petite Beauregard Hotel, a seaside resort on England’s south soar, which serves in the winter as “a refuge for the lonely, resigned, and desperate.” The main feature of the hotel is its separate tables, rather than “family style” dining, for the guests. The cast is a who’s who of fifties stars–David Niven (who won an Oscar for his role), Deborah Kerr, Bert Lancaster, Rita Hayworth, and Wendy Hiller (who also won an Oscar) –all playing characters who live as separated from the world as their tables are in the dining room.

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The Major (Niven) sets the action in motion when he is reported in the local newspaper as having been guilty of “insulting behavior” in a movie theater, and his war narrate is published. Niven is worshipped from afar by Sybil Railton-Bell (Kerr), a pathetically neurotic woman, subject to hysteria, who is totally controlled by her demanding mother. John Malcolm (Lancaster), was once married to aged model Ann Shankland (Hayworth), who has suddenly reach to visit him at the hotel, possibly to rekindle their flame, but he is already secretly engaged to Pat Cooper (Hiller), the manager of the hotel. A variety of eccentric subordinate characters add color, and occasionally humor, to the action. These isolated characters soon open to come by their lives intersecting and overlapping, and they eventually near to a poignant reckoning in the hotel dining room, as everyone arrives at his/her separate table.

The cinematography (Charles Lang) and music (David Raksin), both nominated for Academy Awards, provide subtle emphasis for the character dramas going on in the hotel, rather than calling attention to themselves. Character dramas were less celebrated in the plot-driven 1950s than they are today, and these characters will now be seen as stereotypes by today’s audience, and their actions predictable. Sybil (Kerr) seems particularly unrealistic now, her constant refrain of “Yes, Mummy,” an insistent reminder of how times have changed. Lancaster seems a bit out of his element as a character actor, and Hayworth, in her buttoned up blouse, seems a bit perilous about how to handle such a subtle role. Nevertheless, this is a extraordinary recognize of actors and acting from the 1950s, and the writing (by Terence Rattigan and John Happy), direction, and cinematography, which showcase the cast, are respectable. A classic film. Mary Whipple
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