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Watch Classic Musicals from the Dream Factory, Vol. 2 Online. Movie Title: Classic Musicals from the Dream Factory, Vol. 2 Average customer review: Classic Musicals from the Dream Factory, Vol. 2 is available for streaming or downloading. Click Here to Stream or Download Classic Musicals from the Dream Factory, Vol. 2

This is the second volume of MGM Dream Factory musicals. Only “That’s Dancing” and “Royal Wedding” are on DVD already, and those are generally awful public domain copies. The other five features have only been on VHS up to now. I’d save all of these movies except “Belle of Fresh York” at between four and five stars if you are a fan of the MGM musicals of the 40’s and 50’s. “Belle of Modern York” I’d place at between three and four stars mainly because the campiness of the entire production gets in the blueprint most of the time. Considering you demand some gimmicks in MGM musicals of this era, that is saying a lot. The extra features, which I got from a press release from Warner Home Video, do peruse grand. This package probably rates 4.5 stars taken as a whole, and I round it up to five. The following are brief descriptions of the films and the special features for each one.

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The Pirate (1948) Starring Gene Kelly and Judy Garland. Features music by Cole Porter. A swashbuckling sage is largely honest a framework for the music and dancing, which is top-notch. Judy Garland plays a girl obsessed with a legendary pirate. Gene Kelly pretends to be that pirate in order to pick up the girl. This film actually lost money for MGM in its initial release. Today it is enthralling because it showcases the talents of Gene Kelly and Judy Garland so well.

Commentary by historian John Fricke

New featurette The Pirate: A Musical Adore Chest

Oscar-nominated Pete Smith Specialty 1948 MGM comedy short You Can’t Win

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1947 MGM classic cartoon Cat Fishing

Mack the Sunless stereo remix version

Audio-outtakes: Treasure of My Life and Mack the Black

Roger Edens’ guide tracks of Be a Clown, Manuela, Nina, and You Can Do No Wrong

Promotional radio interviews with Gene Kelly for On the Town and Judy Garland for The Pirate

Theatrical trailer

That’s Dancing! (1985) is a documentary along the same lines as “That’s Entertainment” narrated by Gene Kelly along with co-hosts Ray Bolger, Sammy Davis Jr., Mikhail Baryshnikov and Liza Minnelli. The clips of dancing in motion pictures from the 30’s to the 80’s are very helpful, but the presentation was lacking somewhat. The narration seems deadpan, and when the narration cuts into the proper dancing numbers it is distracting more than informative.

Introduction by Gene Kelly and Jack Haley, Jr.

Invitation to Dance

The Search

The Cameras Roll

The Gathering

Theatrical trailer

Words and Music (1948) features lots of stars as themselves performing to the music of Rodgers and Hart. This is a totally fictional fable of the lives and careers of Rodgers and Hart. In 1948 the accurate narrative would have never made it past the censors, but then the commentary is supposed to distinct all of that up.

Commentary by historian Richard Barrios focusing on Rodgers and Hart

New featurette A Life in Words and Music

Oscar-nominated Theatre of Life 1948 MGM short Going to Blazes!

1948 MGM classic cartoon The Cat That Hated People

Lover and You’re Nearer Outtakes featuring Perry Como

Audio-only bonuses: Outtakes of Falling in Adore with Like, I Feel at Home with You, Manhattan (alternate version), My Comic Valentine, My Heart Stood Level-headed, On Your Toes (alternate version) and Procedure Out West on West Raze Avenue

Theatrical trailer

That Midnight Kiss (1949) Starring Kathryn Grayson and Mario Lanza. This is another MGM musical with a enormous supporting cast that largely exists for the sake of the music, not the status. There are some large operatic performances by Lanza who is starring in what turns out to be a pseudo-autobiography.

Pete Smith Specialty 1949 MGM comedy short Sports Oddities

1949 MGM classic cartoon Droopy

One Fancy of Mine outtake sequence with Lanza and Grayson

Theatrical trailer

Toast Of Novel Orleans (1950) Starring Kathryn Grayson and Mario Lanza. This time Lanza is a fisherman when his talent as a singer is discovered, and he and Grayson are in Recent Orleans, thus the title. This is a light breezy film with touches of comedy, delivered somewhat surprisingly by Lanza.

2006 BBC documentary on Mario Lanza

Vintage Fitzpatrick Traveltalk 1940 MGM shorts Recent Unique Orleans and Broken-down Fresh Orleans

Theatrical trailer

Royal Wedding (1951) Starring Fred Astaire and Jane Powell. My common film of the group. A brother and sister act execute in England at the time of then Princess Elizabeth’s wedding. They both descend in care for, thus breaking up the act. This has Astaire’s celebrated performance in which he dances on the walls and ceiling of his London hotel room.

Private Screenings with Stanley Donen [2006 TCM special]

Royal Wedding: June, Judy and Jane-A Current Featurette

Car of Tomorrow 1951 MGM cartoon

Droopy’s Double Difficulty 1951 MGM cartoon

Every Night at Seven outtake with Peter Lawford and Jane Powell

Fred Astaire and Jane Powell MGM Promotional Radio Interview for Royal Wedding [audio only]

Theatrical trailer

The Belle of Original York (1952) Starring Fred Astaire and Vera-Ellen. This is actually a disappointing film considering Astaire is in it. Although Astaire dances more in this film than in most of the others he made, it is objective hard to gain past the campiness of it all – literally dancing on air, dancing on a horse’s abet, etc. There is some astronomical music from Harry Warren and Johnny Mercer, though.

Musiquiz 1952 MGM Pete Smithshort

Magical Maestro 1952 MGM Tex Avery cartoon

I Wanna Be a Dancin’ Man-Unused alternate take

Theatrical trailer

Another comely product from Warners, this time including material considered pleasant examples of MGM at its peak and some not so valid. Although Words and Music may not be a fair representation of Rodgers and Hart’s life, the musical numbers are top notch and the movie is challenging. The Pirate, with its stigma for being a failure upon initial release, is a pleasure to inspect and to hear as well. The stars are estimable, although Judy Garland looks a bit nervous in several scenes. Royal Wedding is very spellbinding and while not a sizable film is an example of movie-making that makes you feel generous. The Belle of Current York is difficult to scrutinize. It has to be the worst of the Fred Astaire films, and the problems include the epic, the musical numbers, and,unfortunately, his co-star. I had never seen That’s Dancing and was surprised at how few clips from musical films were old and how dated the movie itself was. The That’s Entertainment films have up noteworthy better and seem to be more professionaly produced. All said, the packaging and the extras are nice, as with most of the astounding products from Warners. Actually it’s difficult to be negative about the level of craftsmanship from MGM and its stars benefit in the day, but some musicals are unprejudiced better than others.
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Stream Ikiru – Criterion Collection Movie Online. Movie Title: Ikiru – Criterion Collection Average customer review: Ikiru – Criterion Collection is available for streaming or downloading. Click Here to Stream or Download Ikiru – Criterion Collection

There are many fantastic reviews on this state about why the film “Ikiru” is so gargantuan. And many are beautifully written. I have seen many films in my life, yet “Ikiru” stands head and shoulders above any I have ever seen. For me, the film is not only the greatest Japanese film ever, but the greatest film of all-time. One of the reviewers [BARRY C. CHOW] gave a very agreeable and poignant review of this film. And I hope he is harmful that the film will not appeal “to those raised on a western diet of car crashes, yammering idiots and pixie dust.” However, maybe in time, when these viewers have grown older, wiser, and have experienced life, then these viewers will approach to bask in the pure genius of this Kurosawa classic.

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I know that writing that this is the greatest film of all-time is a daring statement. So let me elaborate it a bit more: It is my well-liked film of all-time. I have seen countless films, but none have had the impact that this film has had on me. Ikiru (To Live) is not a film about dying: but how we live our lives. And in this short life of ours how we live our life matters. Are we kind to our neighbors? Do we care for our children? And fair as important: Do we exercise enough quality time with them? This is a serene and simple film. The main protagonist Kanji Watanabe (Takashi Shimura) has gone through his life as another cog in the bureaucratic office where he works.

Maybe at one time in his life he had dreams of better things; yet with time he grows accustomed to his job; and is no longer alive with the passion of what makes life exquisite. Yes, one can belong to a bureaucratic machine; but one can also produce a disagreement, as we the viewer are about to catch out. Moreover, we can also live a life outside of our jobs. We can all construct a dissimilarity no matter what our life’s work entails. However, events in Watanabe’s life are about to win a different turn. A turn for the worse, and yet, also a redeeming turn for the better. When Watanabe is diagnosed with an incurable illness, he sets about to give some meaning to a life wasted as a lifetime bureaucrat. For our humble protagonist realizes that his life must have a meaning. Watanabe realizes that through all the wasted years since his wifes death he has not accomplished anything worthwhile. Alienated from his son, he sets about to factual in what microscopic time he has remaining to create some sort of contribution to society.

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And this contribution comes in the draw of a childrens park. Akira Kurosawa does not insult his viewers with a enormous create of a holy crusader about to change the world. No, for Mr. Watanabe, the simple desire to originate a childrens park is all that he seeks. Simple and yet all so poignant. We the viewer follow Mr. Watanabe as he meets the very bureaucratic headaches that he himself was once a allotment of, but no longer. We have sympathy for Mr. Watanabe as goes about trying to carve through all the red tape in order to peer the park built before he dies. No longer the obstructionist bureaucrat, he now comes face to face with the very obstacles others have faced when he was once the obstructionist.

This is Watanabe’s attempt to perform amends for his absorb past. This is not only Kurosawa’s greatest film, but the greatest film ever. There are no shoot-outs, explosions or car chases. This film is a simple reminder to those of us who are willing to consume the time to gape what Kurosawa is attempting to display us: That life is short. And that what we do with our lives matters. How many of us, like the protagonist Kanji Watanabe are alive, but have not lived life? Do we do off visting our loved ones? Are we unbiased going through the motions of life? Or are we living a life of quality?

And yes, our dear protagonist Mr. Watanabe does succeed in the extinguish at making a contribution, no matter how cramped. And Takashi Shimura’s character does succeed in giving some meaning to his short life and existence–his blueprint of contributing, no matter how tiny, to those in his community. I first watched this film in 1977, and I never tire of viewing it again and again. There is not a scene in the film that I cannot grasp. This is a heartfelt film, and Takashi Shimura [His greatest role] plays his fragment in the film with such outstanding humility, that we the viewer advance to empathize with him. I have never forgotten the allotment where he sings, both in the drinking establishment, and at the extinguish of the film; swinging in the now finished children’s playground: So haunting, and yet so glowing. This film puts what’s really famous in life into perspective. Life is too short, compose the best of it. And more importantly, live your life as if each day were the last. There are not enough stars to give this tall classic. [Stars: 5+++++]

Since others have written lengthy, vivid reviews (And I’m tickled they did) I will spend my residence to be simple. The film, at its most basic level, is about redemption, living (Ikiru is “To Live” in english) and dying, and what matters most to really earn a incompatibility in your life, and the lives of others. The film is detached yet utterly remarkable, a basic peruse of a man trying to regain meaning in his last days. But it’s so noteworthy more than that, and I can only portray the film and its purpose as gracious, righteous, warm, bewitching, and attractive. It is not a sappy, gay movie, but it’s so quietly affecting that I’m a grown man who is quiet reduced to tears seeing the pivotal “swing” scene that is on the movie’s cloak. What is happening in that scene, what it means, what it represents, and what is being said during the shot, is, to me, unprejudiced about the most hauntingly racy scene I’ve ever witnessed. And I will remember it forever, as well as all of Ikiru, as a poignant, murky yet triumphant example of the human spirit to really persevere and accomplish a incredible incompatibility.
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Watch Shin Chan: Season One, Part One Online. Movie Title: Shin Chan: Season One, Part One Average customer review: Shin Chan: Season One, Part One is available for streaming or downloading. Click Here to Stream or Download Shin Chan: Season One, Part One

Shin Chan is an anime in Japan for kids, however, the adapted series for America is far from it. Adult Swim and Funimation re-wrote the dialogue of the indicate to suit the viewers of Adult Swim. Cultural references are also changed to things Americans can narrate to. This box space is the collection of the six “test” episodes as well as the sixteen episodes Adult Swim picked up to complete the elephantine season. This dvd site is defidently a must capture if you do not offend easily.

This is a review of fair the dvd disc itself. While Shinchan is comical and hilarious to peek, it did not include the japanese audio nor did it have subtitles as described.
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Otogi Zoshi – Full Circle Streaming. Movie Title: Otogi Zoshi – Full Circle Average customer review: Otogi Zoshi – Full Circle is available for streaming or downloading. Click Here to Stream or Download Otogi Zoshi – Full Circle

I appreciate this series! It’s a simple storyline, as far as some animes go, but it’s definitely worth seeing. This last DVD wraps up the storyline, and answers questions. It’s not a busy, complex ending, but gives you the warm glow of satisfaction nontheless, with a touch of sadness.
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The Professional Streaming. Movie Title: The Professional Average customer review: The Professional is available for streaming or downloading. Click Here to Stream or Download The Professional

I possess both the US and international versions of this film, and the international edition is grand better. Both versions carry a minute sexual tension throughout between Leon and Matilda, and the uncut version is more pronounced in this dwelling, but that isn’t the reason to prefer it.

The extra 24 minutes on the uncut version provides a deeper conception of the relationship between the two as the film progresses. For example, in the US version Matilda never becomes a proper “cleaner” or hitman. It’s only hinted at when they shoot a jogger from a rooftop with blanks. In the uncut version, Leon takes her completely under his coast and teaches her the trade, including scenes where the pair accelerate around killing awful guys and such. In the process, Leon teaches her the “ring trick” by tossing a grenade at a victim and keeping the ring and grenade pin in his hand. This scene sets up the final scenes in the movie in a arrangement that the US version left short and unexplained.

If you enjoyed the US version, you’ll probably fancy the uncut version more, if only because the characters and their relationships are considerable deeper.

French director Luc Besson (“The Messenger”; “The Fifth Element”) made his U.S. film debut with this bright thriller of an Italian hitman who is untouchable. “The Professional” stars Jean Reno (“The Mammoth Blue”) who plays Leon, a professional hitman with ninja-like skills, who eliminates rivals for a mob boss (Danny Aiello) .

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After a heinous cop (Gary Oldman) eliminates the family residing next door due to a drug transaction gone depraved, Leon finds himself the guardian of young Mathilda (Natalie Portman in her hide debut) . Taking Mathilda under his helm, Leon teaches her the art of the “cleaner”. However, misfortune lurks around every corner, and Leon must protect Mathilda from the same cops who killed her family.

Considered by many to be his masterpiece, “The Professional” was originally released internationally under the title “Leon”. However due to the feeling that American audiences might salvage some material unacceptable, over 24 minutes of the film was edited out. Finally, Columbia/Tri-Star has made an good decision in releasing the uncut, international version of this generous film in the U.S. as it originally was called in August 2000.

While the film’s central theme revolves around Leon and his job, the subplot where Mathilda develops an attraction for Leon is reminiscent of the novel/film “Lolita”. The chemistry between both characters in a father/daughter relationship can be intense, especially as we see that Mathilda is in her puberty-stage.

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Jean Reno is edifying as always, and Gary Oldman gives a chilling performance as Stansfield, the infamous DEA officer who murdered Mathilda’s family in cool blood. However, the dependable scene-stealer in this film has to be Natalie Portman. This glorious young girl radiates beauty and professionalism throughout the film. Her porcelain-looking skin, and her spacious brown eyes are well utilized in this film, making her character more childish, yet obsolete to a sure extent. Portman proved to audiences in this film that she was no flash in the pan, and in her subsequent films, she continues to be a scene-stealer. She is truly Hollywood’s most gifted young actress.

In the international version, most of the 24 minutes that were left out in the film’s 1994 release in the U.S. mainly involves both Leon and Mathilda going on “cleaning sweeps” where she gets first hand training in the art of assassination. The other half of these minutes focuses on Mathilda’s attraction to Leon. Her persistent attempts to be intimate with Leon all fail, but we finally understand why Leon remains a loner when it comes to affairs if the heart. Some might be melancholy about the plan of Mathilda and Leon sharing a bed together, but Besson paints this scene as one though-provoking platonic admire and not sex.

In wrapping up, I recommend this film for anyone who enjoys a nonstop, high-impact thriller in the same tradition as the “Matrix,” “Blade,” or “Listless Tranquil”. Luc Besson truly is one of the world’s greatest action directors, and “Leon” captures his magic. An profitable, pulstaing film from beginning to kill!
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The Dark Knight Streaming. Movie Title: The Dark Knight Average customer review: The Dark Knight is available for streaming or downloading. Click Here to Stream or Download The Dark Knight

What has been said about the Murky Knight cannot be elaborated on – so I won’t. The film is muscling its draw into my #1 approved droll movie adaptation of all time.

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The reason for my review is in hopes of saving you some money. This double disc Special Edition doesn’t squawk the designate you pay for it. There isn’t even deleted scenes!!! I would set aside your very hard earned dollars and grasp the single disc version and wait for the inevitable ULTIMATE re-release that will near later on down the road.

But nonetheless, a grand film – you will not be dissapointed; I unprejudiced wish the studio would have given a better Special Edition release than what we have here. So indulge in!

Christopher Nolan has a vision. And whether you agree with it or not, he undeniably completes it in “The Sunless Knight”–a vicious, attractive, overwhelming, intellectual event- film that re-defines ‘comic-book-flicks’. In Nolan’s grim, dark-depiction of Gotham-City (the crime-ridden hell protected by legendary superhero Batman), the director strives to invent everything loyal (something he began in the well-received “Batman Begins”) . He makes it plausible, possible. And yet there’s more to it: fair as ‘Begins’ was a dissection of chronicle, the nature of symbols and heroes, ‘Knight’ is the escalation of that conception. It’s a biblical- confrontation of ‘good-and-evil’, yet as ‘good-and-evil’ really exist: a conflict of ideals, something that can’t be purely-defined but that is relative to a viewpoint. In Nolan’s world, the line of villainy and heroism isn’t crossed… it’s non-existent. The bad-guys don’t view themselves as bad-guys, and as such something so unnervingly-real comes across it might flit past some people’s minds (no insult to anybody, it’s unprejudiced accepted that people don’t contemplate deep into ‘popcorn-flicks’) : the battle is a complete ambiguity.

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The film runs at nearly 2.5-hours, yet never ceases to lose interest or momentum. It doesn’t raze a scene or moment; every event is utilized and distinguished. ‘The Unlit Knight’ tells a chronicle worth telling and it takes the sterling amount of time to issue it. Action-sequences are frantic, old-school, eye-grabbing stunts (vastly grand to ‘Begins’) and in their chaotic intensity we eye that they befriend purpose to the record, yet more challenging are not played for pure entertainment-value: we are meant to perceive, skittish, simply hoping that the outcome will go the hero’s diagram. Attention is never lost because we are immersed in a breathtaking, almost completely-unpredictable anecdote (it packs many a shock), that makes us consider and more importantly gains our emotional-investment. We approach to care for the characters, because they are believable, developed, and personified fully.

Everyone has great-chemistry together. Maggie Gyllenhal is a more faded Rachel Dawes than Katie Holmes. Morgan Freeman provides his authoritative presence to the role of bad- gadget-inventor/Wayne-Enterprise CEO Lucius Fox, and under anyone else’s portrayal, the share would be less-memorable. Gary Oldman underplays his world-wearied lawman with such honest-nobility, you never feel for a second any of its forced-acting. The irreplaceable Michael Caine makes a gentle, reassuring, father-like presence as Alfred, and the movie would surely fail without his strong-presence and interjected-moments of light-humor.

And while everyone (rightfully) pours the praise unto Bale and Ledger, I judge most are glancing-over Knight’s breakout-performance. As Harvey Dent, Aaron Eckhart does more than believe himself in the company of such a renowned-cast. He makes his presence known, whether he’s playing on the easy-going charisma of Gotham’s ‘White-Knight’ or the broken and damaged, twisted-soul of Two-Face. He achieves a full-impact with the tragedy that comes unto his character, and so closely connects with Dent, that he makes his harm tangible for us: we sympathize even as we become shy. He captures both facets of each personality flawlessly.

Now, some people cite that ‘Knight’ has a potential fatal-flaw in the supposedly wooden- acting of Christian Bale. Admittedly, his development is not as colossal as in ‘Begins’ (yet that film gave us such a suitable psychoanalysis of Wayne, we hardly need more), yet what Bale pulls off is admirable. Wayne is not an eccentric personality. He is a disillusioned man who can hardly derive any joy in having no family, giving up his love-interest and spending his life fighting a battle that may never raze. He’s black and conflicted, and Bale plays up on that brooding-mood by making Wayne seek as though a thousand dark-things were on his mind. He’s not wooden…he’s a humorless, serene individual. Even when Wayne is acting as a frivolous playboy for the public, every now and then Bale offers us a much see that reminds us its all a façade; that deep down, something more vexed irks him. Occasionally he offers a broken-smile when exchanging banter with Alfred, letting us know that beyond the dour depression of the Caped-Crusader lies a damaged human-being. It is only in the guise of a growling masked-man, that he can unleash his honest, ferocious personality.

Finally, who could forget Heath Ledger. Now, when he was first-announced for the fraction, I was (along with many other people) asking myself: “Why? “. Mr. Ledger had proved with ‘Brokeback Mountain’ he could remark a potent performance. But he hadn’t before. It is only, after seeing this film, that I know the respond to ‘why? ‘: I view the significance of his loss.

When Heath appears in this movie, he is completely unrecognizable. His converse is distinctly-altered; a near-whiny, pedophile-like tone that sends shivers down the spine. His face is completely splattered with makeup that renders him both freakishly-nightmarish and strangely-funny. And when you gaze him, you don’t judge it’s him. In this, his final performance, Ledger proved he was a chameleon. His two iconic performances in this, and ‘Brokeback’, could not be more different. I am convinced he could have been anything in his career. He commits so intensely to character that the line of actor/portrayal dies. His every tick and gesture only further-enhances his character. Heath never hams the role up or goes for something cheap: he delivers a fully-immersed expose of psychotic madness…or do we fair stamp him that to feel safer? The movie writes the character brilliantly; blending homely truth into his every social-accusation, and making us inquire why we laugh at his sick-jokes.

‘The Dusky Knight’ has had an incredible-amount of hype running for it, from the get-go, mounting ever-higher, until Heath Ledger’s too-soon death. And the finished-product does more than exceed all of the near-impossible expectations placed on it. It becomes something considerable richer than a super-hero-franchise-saga. Christopher Nolan has opened a recent door in cinema: allowing action-flicks to become more serious, valid of intelligence. He has transformed this into a part of artwork, beefy of beauty, panic, moral-conundrums. This movie has changed things…forever.

There’s no going encourage. 10/10
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Watch Hauntings In America Online. Movie Title: Hauntings In America Average customer review: Hauntings In America is available for streaming or downloading. Click Here to Stream or Download Hauntings In America

This was a wonderful mix of stories from accross America. Some well known some current and not so well known. If you like Terrorized History you will like this video.

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My husband and I bought this because we adore shows like Ghost Hunters and Ghost Hunters International. The thing that bugged me about this was that some “investigators” were talking about orbs and so on- but EVERY single time I looked at their photos and video and said “dust” or “bug.”

For example they were outside and these cramped “lights” were zipping around and I was like you can CLEARLY leer those are bugs. Or they were in an attic and miniature orbs were flying down on the screen- and I was like yeah that’s DUST.

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Good for a general history but the investigators weren’t the greatest and the quality wasn’t top-notch. Not abominable for $7.
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The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition Movie Streaming. Movie Title: The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition Average customer review: The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition is available for streaming or downloading. Click Here to Stream or Download The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition

The five PLUS stars are for the MOVIE, not necessarily this 2005 DVD release . . . . (Now that I have seen the unique DVD, I give it 3 1/2 or 4 stars. Discover explanation below.)

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In Oct. 2002, Disney Home Video released its first DVD formatted THE MUPPET CHRISTMAS CAROL. The response was both pro and con. The response that was negative dealt with two essential issues:

(1) That the 2002 DVD was pan-and-scan (AKA “rotund camouflage” or “1.33:1″) instead of widescreen, and, in fact, unlike many DVDs, did not even offer the viewer a choice between pan-and-scan and widescreen. For fans of the movie who pick widescreen, this was a stout disappointment!

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(2) That the 2002 DVD for Site 2 and perhaps other regions also removed the “When Adore Is Gone” song. Disney has not, to my knowledge, offered an explanation for the removal. I would guess that it was because the song is “unlit” and someone at Disney probably decided that such a “dim” song did not belong on a DVD intended for children.

Thus, that 2002 DVD had TWO strikes against it as far as MUPPET CHRISTMAS CAROL purists were concerned. At the Amazon set for that earlier DVD, you can acquire more than 130 reviews, many of which yelp PROFOUND disappointment about the lack of widescreen and the missing song. (Note: Amazon has accountably merged those 2002 reviews with the 2005 reviews. Fair got toward the waste of the list to stare the older reviews.)

Fast forward to 2005, impartial a couple of months ago. Disney announced a unusual release of this film–The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition. Interested fans immediately assumed that this would be the long-awaited anamorphic widescreen version. However, various statements and press releases listed the movie as 1.33:1 or, in other words, pan-and-scan. When this was discovered, the fans HOWLED at what seemed like a betrayal and an absence of common-sense by the people at Disney. THEN, within a few days of the official announcement, Disney “back-peddled” and issued a modern announcement that the first one was in error and that the 50th Anniversary version would be in BOTH pan-and-scan and widescreen. The ***SIGH*** of relief was like a wind that rushed across the globe!

But now comes the TRICKY Allotment that tries to reply your specific request. Some fans who have contacts within the industry or have means of mining the Internet, discovered that the Deny of the pan-and-scan and the widescreen versions that would be on the same disc would be different in that one would have the afore mentioned song and one would not. As mentioned HERE in these reviews for this original release, apparently the version to gain the song is the pan-and-scan version–which, if it’s true–is a totally incomprehensible creative decision. (Why would the the version that was Apt to the widescreen format be missing the song, thereby compromising that version? )

Right now, as a GIANT FAN of MUPPET CHRISTMAS CAROL, who has longed for a widescreen DVD since the advent of DVD, I am hoping that there has been some miscommunication going on (for example, leer above at the official aspect ratio listed in the Product Details. On today’s date of Oct. 13, 2005, it’s listed as 1.33:1, so the facts about this release seem to be unfortunately garbled!)

Incidentally, there exists a WIDESCREEN (though obviously not anamorphic) Laserdisc version of the film that INCLUDES the song “When Appreciate Is Gone.” I know because I occupy it . . . and it is among my most precious possessions!!

All we can do is wait until November 29 to regain out what this unusual release will truly bear. I personally hope there will be an anamorphic widescreen version that also includes “When Like Is Gone.”

ADDENDUM: Well, yesterday was November 29, 2005, and I picked up this DVD. There’s grand news, dreadful news, and some obedient splendid news. The anamorphic widescreen image far exceeds any previous video or DVD version. However, the rumours are Lawful that the widescreen does NOT include the improbable song “When Cherish Is Gone,” and that the fullscreen version DOES include it as “Extended with Deleted Scene.” However, for the diehard, there is this awkward-but-workable compensation: The two versions are on the same side of the DVD, thus when the widescreen version comes to the point when the song should be sung, you can employ your remote to go serve to the menu, determine fullscreen, go to chapter 5, listen to the song, and then go assist to widescreen to idea the rest of this elegant Christmas movie. It is a Colossal wound and an unfathomably unpleasant decision by the suits at Disney!

Since a complete widescreen version obviously does exist in the Disney archives (the Laserdisc version in the mid 90s was both widescreen AND complete), one can only wonder how and why Disney made this very insensitive and unprofessional decision!

Neverthless, FINALLY having MUPPET CHRISTMAS CAROL in anamorphic widescreen is definitely a plus. Being able to look all the Muppet antics definite to the sides of the cover is a pure joy, and not being forced to leer tastelessly SQUISHED images is a titanic relief! Also, this disk is the best resolution (though not perfect) that has ever been available in any home media format, and the Dolby Digital sound is quite acceptable.

Since this is likely to be the last DVD version of this movie for quite some time, we should (1) continue to ponder Disney’s callous obliviousness and its positive childish stubbornness to do what’s upright, while (2) counting our blessings that at least we are nonetheless Share procedure to the ideal MUPPET CHRISTMAS CAROL DVD.

Talk about MIXED emotions! I deem that one scrape is that nobody at Disney is definite that the film is a right work of art, instead of “honest a movie stamped out for kids.” I contemplate nobody there realizes that the film deserves far more respect than the grudging, lackluster, shoddy efforts they have so far foisted on the public. I am very tickled to behold the many astute reviewers for this current edition over and again construct this point exceedingly determined! THE WORST OF IT IS THAT IT DOESN’T Form ANY SENSE!

BTW, on November 29, 2005, Garan Grey posted a review mentioning several Obedient points underscoring Disney’s gross decision-making–especially about the lackluster special features, recycled menu build, and so forth, in what is supposed to be a very special “special edtion”! However, this reviewer says: “By the blueprint, it seems that the “widescreen” version is unprejudiced matted down from the stout 35mm 1.33 frame, so the fullscreen version is not missing any of the narrate.” In point of fact, ALL pan&scan versions that I have seen (INCLUDING the pan&scan on this very disc) SQUISHES the titles, cuts Muppets off the sides of the movie, and even sometimes squishes scenes so the characters eye mammoth and skinny. Which is WHY I have been waiting for the widescreen for years! In general, I’d say that Garan Grey is definitely unsuitable on this point.

Charles Dickens’ classic myth “A Christmas Carol” has probably been adapted for stage, camouflage, and TV more than any other memoir in the history of literature. Many have been really gigantic — the Mr. Magoo sharp version, Patrick Stewart’s one-man stage note, the George C. Scott version, etc. But one of the best is definitely “The Muppet Christmas Carol,” directed with heart and intelligence by Brian Henson. This version is particularly mighty because it combines two beloved pop-culture icons: Dickens’ tale and the Jim Henson Muppets.

Buy,Download, Or Stream The Muppet Christmas Carol – Kermit’s 50th Anniversary Edition! Click Here

It’s been a long time since I read Dickens’ fresh text, but from what I remember, the MCC is quite faithful to Dickens. Like the other Muppet films, MCC combines human actors with the whimsical Muppet characters (unbiased in case you don’t know what a Muppet is, it’s a sort of puppet) . The sizable Michael Caine plays Scrooge, and the Muppets play other Dickens characters: Kermit the Frog is Bob Cratchit, Miss Piggy is Mrs. Cratchit, etc.

One clever touch is having Charles Dickens (portrayed by Muppet Gonzo the Gigantic) appear as a narrator in the film. Gonzo/Dickens is accompanied by Rizzo the Rat, and the two have some huge droll banter and slapstick humor. This scheme nicely complements the main myth without distracting from it. The film is enhanced by some fine songs; my common is the one sung by the Ghost of Christmas Expose.

Dickens’ unusual “Carol” is, at its core, a compassionate and life-affirming epic, and the Muppet version is accurate on target in preserving the soul of the narrative. There are some genuinely sweet and involving touches (such as one Muppets’ gift to Scrooge) that combine well with the trademark Muppet humor. Add to this righteous special effects, shapely performances (both human and Muppet), and impressive sets and costumes, and you have a just classic: a film for every member of the family. In “The Muppet Christmas Carol,” Brian Henson and his Muppets explain that, with imagination and skill, novel life can be breathed into a well-liked weak chronicle.
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Watch Gabriel Iglesias: Hot and Fluffy – Live From Bakersfield Online. Movie Title: Gabriel Iglesias: Hot and Fluffy – Live From Bakersfield Average customer review: Gabriel Iglesias: Hot and Fluffy – Live From Bakersfield is available for streaming or downloading. Click Here to Stream or Download Gabriel Iglesias: Hot and Fluffy – Live From Bakersfield

How my ratings work:

5 – I really liked/loved it

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4 – I liked it

3 – Could’ve been better/worth a look

2 – Impartial didn’t live up to the potential

1 – Simply aweful

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Gabriel Iglesias is one comical dude. He has a lot of energy for a fluffy guy. I remember him when he was on the Nickelodeon demonstrate All That and he was silly on there. I didn’t recognize anything of him for a couple years until I saw him on Comedy Central Presents (which was awesome) . This routine is even better, partly because it’s longer than the last one, and because it’s got funnier stuff. He’s immense with impersonations, goofy voices, and sound effects. I hope to behold more of him in the future, both in stand up and movies.

(I have a feeling all reviews for this DVD is going to have at least one “fluffy” reference…)

Gabriel Iglesias is absolutely hysterical on this DVD! His CD Pikachu I Observe You is big and his Comedy Central appearances are always terrific and this DVD is no exception. His stories, his voices & impressions and objective generally foul and aloof totally adorable delivery makes this DVD a MUST HAVE for anyone who likes to laugh!!!
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